Archive for March, 2009

Natasha Richardson Post Accident Status Unknown

March 17, 2009

Conflicting reports on actress Natasha Richardson’s condition after a skiing accident:

From The Canadian Press

Reports vary wildly regarding extent of injuries suffered by Natasha Richardson

MONTREAL — Actress Natasha Richardson’s injuries from a fall during a ski lesson at a Quebec resort were described Tuesday as anywhere from minor to life-threatening.

The New York Post said it had learned from friends of the British actress that she was brain dead, but some Hollywood “insider” websites suggested Richardson had swelling of the brain.

A spokeswoman for the Mont Tremblant ski resort said Richardson, 45, was conscious and showed no signs of a serious head injury after she fell on a beginner run on Monday while in the company of an experienced instructor.

Lyne Lortie said the Tony-award-winning actress was in the middle of the private lesson when she suffered what appeared to be a relatively unspectacular fall.

While Richardson seemed fine, the ski patrol wanted to take a closer look so she was taken to the bottom of the hill by sled, Lortie said.

“She showed really no visible sign of injury and she was talking and showed absolutely no sign of confusion,” she said.

“It was right in the middle of the slope so she didn’t hit anyone or a tree. It was a fall as anyone can do. It wasn’t a violent fall at all.”

A family member confirmed Richardson had a skiing accident but the extent of her injuries was unclear.

“We know that she has had an accident but we really do not know any more details,” said Kika Markham, who is married to Richardson’s uncle, Corin Redgrave. “We are very concerned.”

Lortie said the ski patrol wanted Richardson to see a doctor but she insisted on returning to her room at Mont Tremblant’s Hotel Quintessence.

The ski patrol and instructor stayed with her for about an hour after which she began complaining of a headache and not feeling well.

Lortie said they “immediately” called an ambulance and she was taken to the Centre Hospitalier Laurentian near Mont Tremblant before being transferred to Sacre-Coeur Hospital in Montreal.

The Canadian Press was told initially on Monday that someone with the same name as Richardson was registered at Sacre-Coeur, but employees said later in the day they had no records of someone with that name at the hospital.

On Tuesday, Sacre-Coeur spokeswoman Josee-Michelle Simard said Richardson left the hospital at 12:30 p.m. and was headed out of the country.

She said the family was to release a statement on Wednesday.

Richardson is married to actor Liam Neeson and is the daughter of famous British actress Vanessa Redgrave.

Neeson was reportedly in Toronto at the time of Richardson’s accident filming the movie “Chloe” with Julianne Moore.

Producers confirmed that Neeson immediately left the Toronto set upon news of his wife’s accident.

Richardson comes from a long line of successful actors. She was born in London to Redgrave and British director Tony Richardson.

Her maternal grandparents were Michael Redgrave and Rachel Kempson and her uncle Corin and aunt Lynn Redgrave are also both actors. Sister Joely Richardson is also an actress, best known for starring in the TV series “Nip/Tuck.”

Richardson trained at London’s Central School of Speech and Drama which initially led to a career in regional theatre, then later to film and television roles.

Richardson won a Tony award in 1998 for her turn in “Cabaret.” Film credits include “The Parent Trap,” “The Handmaid’s Tale,” “Evening,” “Gothic,” “A Month in the Country” and “Nell” in which she appeared with Neeson.

In January, Richardson and her mother played the roles of mother and daughter in a one-night benefit concert version of “A Little Night Music,” the Stephen Sondheim-Hugh Wheeler musical, at Studio 54 in New York.

Richardson has been married to “Schindler’s List” star Neeson since 1994. The couple have two sons.

Copyright © 2009 The Canadian Press. All rights reserved.

From NY TIME OUT

Sympathies for Natasha Richardson

[UPDATE 1:58 p.m.: The following post appeared earlier this afternoon with the headline "RIP Natasha Richardson 1963–2009." Since that time, TONY's sources have clarified the situation: Richardson is brain dead but has not passed away. Sources close to the family indicate that they are treating it as a death. We will update you on this sad story as circumstances warrant. We apologize to the family and to our readers.]

Last night it was reported that the actor Natasha Richardson had critically injured her head in a skiing accident at the Mont Tremblant resort outside of Montreal, Canada. Although public reports have not yet confirmed it, sources close to Richardson’s family and friends say they have already been told the awful news: She will not survive the accident, and is currently brain dead.

This precipitate loss is a terrible one. Richardson was only 45 and had two adolescent sons; our thoughts go to them and to her husband, the actor Liam Neeson. The theater world, too, is bereft by her departure. Richardson has been the most verdant new branch of one of the great English theatrical family trees: the child of Vanessa Redgrave and the late Tony Richardson, the niece of Lynn Redgrave and Corin Redgrave, the granddaughter of Michael Redgrave. She has pursued the family business with uncommon class and distinction. On Broadway—in Anna Christie, Closer, A Streetcar Named Desire and especially in her Tony-winning turn as Sally Bowles in Cabaret—her work has been elegant, smart and forceful. She is all too suddenly missed.

Paint Your Wagon, A Northwest Film

March 17, 2009

A little known fact about this week’s 69 film PAINT YOUR WAGON is a Northwest film. Convinced by production designer John Truscott director Joshua Logan shot in Baker County, Oregon in the Eagle Cap Mountains along East Eagle and Jack Creek.  The crew built two separate versions of the mining town No-Name City — one before gold is struck and a more ornate version for when it becomes a boom town.Some of the set still survives as seen the photo below.

Remnant of the Paint Your Wagon Set

Remnant of the Paint Your Wagon Set

This did however contribute to some of the economic hardship the film experienced since the closest lodgings were a perilous 50-mile drive away, cast and crew were flown to the set by helicopters at a cost of $80,000 a day.

More info on the shoot can be found here and here.

$1 Off food and drinks at the Satellite

March 17, 2009

Northwest Film Forum and the Satellite Lounge (right around the corner at 12th and Pike) have teamed up to bring you a special post-movie deal!

Bring your NWFF movie stub in for $1 off drinks during the week, or $1 off food OR drinks on the weekends!

http://www.satellitelounge.com/

Little Dizzle cast interview

March 17, 2009

Tania Raymonde, Vince Vielof, and Marshall Allman interview from SxSW.

Check it out!

It’s worse in Russia

March 16, 2009

Russian movie industry in grips of big chill

By Vladimir Kozlov Vladimir Kozlov – Sun Mar 15, 11:19 pm ET

MOSCOW (Hollywood Reporter) – In a film world beset by economic upheaval, there might be no territory more upside down than Russia.

At last month’s Berlin International Film Festival, movie sellers grumbled openly that business in the territory was hardly what one would call usual. Tales of existing deals with Russian distributors being renegotiated or canceled en masse were rampant. As one European seller cheerily put it, “Russia isn’t just dead, they’re pulling us into the grave with them.”

Others were more generous. “We haven’t had any cancellations, but we have introduced payment schedules for some of our Russian buyers,” said Irina Ignatiew, exec vice president international at German sales group Telepool. “We have relationships with these buyers, and we want to help them in these tough times.”

One thing seems certain, though: The end of the tough times is nowhere in sight.

About 100 Russian film projects have been canceled or suspended since the fall, when the film industry experienced the impact of the economic crisis, according to the Russian film industry’s trade journal, Byulleten kinoprokatchuika. Earlier this year, Mosfilm, the country’s largest studio complex, said it had no films being shot in its studios.

“It is true that (Russian buyers) are renegotiating deals and even canceling them. It is very difficult indeed to get money out of that territory,” a spokesperson for London-based sales and finance house Hanway Films said recently.

News is even worse on the local production front. As the global financial downturn has worsened, Russian distributors increasingly have turned their focus toward Hollywood blockbusters, leaving homegrown films and even foreign independent features on the outside looking in.

HIGH-PROFILE FILMS TAKE PRIORITY

It’s a trend that has left an already uncertain local production scene — one that has seen state support and private funding dry up — with a decidedly bleak outlook.

“These days, our priority is highly publicized, strong projects (because) films of that kind are taking a bigger and bigger share of the box office,” said Yulia Kulikova, a spokesperson for Central Partnership, Russia’s largest independent filmmaker and distributor.

Kulikova added that the company expects a decline in the number of domestic releases as well as a drop in prices paid for distribution rights to foreign independent films.

“While earlier they could afford to buy a noncommercial film, now everyone is looking for a sure hit,” said Yekaterina Manakhova, general director of the ongoing 77th Russian international film market, which has seen its number of participants slump 10 percent to 15 percent this year.

Not that the desire for U.S. blockbusters necessarily will translate into a gold mine for the studios.

“One of the problems is that movies might be performing well in theaters, but the distributors are having huge problems collecting cash from exhibitors for them,” one seller said. “Distributors are having the same problems getting cash from the television deals too. Everyone is holding out on cash on deals to maintain their cash flows and not paying distributors their rentals.”

Manakhova said the true impact of the downturn isn’t even being felt yet.

“The market has not yet fully reacted to the crisis,” she said. “Currently, projects that were completed some time ago are being offered, but within about six months, the market is likely to experience shortages of domestic films as well as foreign independent fare.”

A spokesperson for the Russian culture ministry’s film industry unit said state funding has begun to be allotted but would not comment on whether the 3.5 billion rubles ($101 million) in funding for the industry originally stipulated for this year would be delivered in full.

But studios with local operations aren’t giving up on the territories.

“All our pictures will be released here as previously planned,” Fox spokesman Aleksandr Kovalenkooff said. He added that the company still has plans to make movies locally for the Russian market.

Rain People’s 1969 review: “gratuitious poetry”

March 16, 2009

Robert Greenspun, New York Times, August 1969:

Shot-by-shot analysis of PAINT YOUR WAGON’s opening sequence

March 16, 2009

After listening to Robert Horton’s introduction of PAINT YOUR WAGON on Friday night, and now reading Nathan William’s shot-by-shot analysis of the opening sequence of the film, I have to admit there’s a lot more going on in this western musical than I first imagined when I read the description.

You can read Nathan’s article here, and catch PAINT YOUR WAGON every night at 8:30pm through Thursday, March 19 at NWFF.

Thanks for the heads-up, Nathan!

Soul Nite ’69 A Blast!

March 14, 2009

turntable1
Thanks to everybody who came out to SOUL NITE at NW Film Forum this Thursday for our trip back to 1969 and Sly Stone birthday celebration. DJ David James played a ton of great 1969 soul records (he and his cohort DJ Greasy spin rare soul and funk at DUG, first Fridays at the LoFi- check it out HERE.) Mr. Dave Hanagan provided the birthday cakes for Sly (Don’t call me chocolate, vanilla!). And we cranked up the big soul tv for great ’69 performances from greats including James Brown, Stevie Wonder… and of course Sly & The Family Stone.
slyrose1

Mark your calendars for our next Soul Nite- on Stevie Wonder’s birthday, Wednesday May 13. Guess who we’ll be spotlighting? (If anybody out there wants to make a birthday cake for Stevie, let me know.)
-Peter

Sprocket Society update!

March 13, 2009

Hello friends — if friends you truly be…

This Sunday is March 15 — the Ides of March, in the Roman calendar.  “Idus Martias” in Latin, it was a holiday devoted to Mars, the god of war.  Most of us know of it thanks to Shakespeare’s play “Julius Caesar,” about the brutal gang assassination of a despotic ruler on the same fateful day, and the descent into chaos and suicide that befalls the doomed perpetrators.

http://en.wikipedia.org/wiki/Ides_of_March

http://shakespeare.mit.edu/julius_caesar/

So, as the world’s economy burns around us and we hose it down with what little money is left unstolen, and the spectre of late-Weimar-scale decimation looms before us, it seems only fitting to liven things up a little and mark the occasion with a special program of excellent films celebrating betrayal, murder, and madness!

SECRET SUNDAY MATINEE II:  THE IDES OF MARCH SHOW
This Sunday at 3:00 PM
Northwest Film Forum — http://www.nwfilmforum.org/
No video!  All 16mm film, shown with a 1,000 watt projector!

A CORNER IN WHEAT (1909, b/w, silent) — an early one-reeler directed by DW Griffith, photographed by William “Billy” Bitzer.
Shown with music by Bela Bartok. Story adapted from the writings of Frank Norris: the short story “A Deal in Wheat,” and the novels The Pit and The Octopus: A California Story
A greedy speculator tries to corner the world wheat market, doubling the price of bread overnight.  As his profits soar, we see the devastating effects on countless ordinary people.  A very satisfying end is delivered.  Added to the National Film Registry by Congress in 1994.
About photographer Billy Blitzer: http://www.victorian-cinema.net/bitzer.htm

“Populist Films” (from “Visualizing Ideology: Labor vs. Capitol in the Age of Silent Film”):  http://www.usc.edu/dept/LAS/history/hist225g/pages/text/I_iii_8.html
Frank Norris:  http://en.wikipedia.org/wiki/Frank_Norris

“A Deal in Wheat”:  http://www.fullbooks.com/A-Deal-in-Wheat.html
“The Pit”:  http://etext.virginia.edu/toc/modeng/public/NorPit.html

THE TELL-TALE HEART (1953, color, sound) — Oscar-nominated animation from the UPA studios under John Hubley.
Narrated by James Mason.  Animated by Pat Matthews. Directed by Ted Parmalee (who later worked on the Rocky & Bullwinkle shows) and Art Babbitt.
A beautifully-made adaptation of Edgar Allen Poe’s chilling story of murder and conscience, making brilliant use of limited animation and periods of utter blackness.  Once worn thin by being shown in nearly every high school, it has since been unjustly neglected.  Voted #24 of the 50 Greatest Cartoons of all time by members of the animation field in 1994 (higher than Fleischer’s Superman and even A Corny Concerto).  Added to the National Film Registry in 2001.  Showing a near-mint print on low-fade color stock.
Excellent stills: http://the-haunted-closet.blogspot.com/2008/09/tell-tale-heart-1953-upa.html

OUR CLASSIC SECRET FEATURE
A true masterpiece of intrigue, betrayal and paranoia made in France during the height of the Nazi occupation, inspired by events that actually took place just after World War I.  So perceptive that it’s home country banned it for 26 years, this early film by director Henri-Georges Clouzot ranks among the best of its time.
Criterion on Clouzot / Clouzot on Criterion: http://www.criterion.com/explore/7

Plus Our Serial!!

Chapter 3 of Zorro’s Fighting Legion (1939):  “Descending Doom!”
Faithful Juan discovers the secret underground chamber where the deadly golden arrows are being made.  But when Zorro investigates, Don Del Oro’s men set upon him!  What is that dude’s problem??

Hope to see you there…

Coming Soon!
Errol Flynn’s debut, in one of the best swashbucklers ever made!
The Marx Brothers at their peak!
The Silent Movie Show (the first of two) on April 5th, with Emil Jannings and 1920s experimental films!

More people angry over the death of VHS

March 13, 2009

Angry workers hold French Sony boss hostage
13 Mar 2009

MONT-DE-MARSAN: Angry workers held the boss of Sony France hostage Friday to try to make the Japanese electronics giant give them a bigger pay-off when it shuts their factory, unions said.

Serge Foucher had gone to the Pontonx-sur-l’Adour plant in southwest France on Thursday to meet its 311 workers one last time before the closure of the factory on April 17.

But the workers, who say their pay-off is less generous than that offered at other French Sony plants that have closed, decided to launch a strike, then barricaded the entry to the site with tree trunks and stopped him leaving.

He was held overnight in a meeting room, CGT union official Patrick Hachaguer said.

“We were asked to let Mr. Foucher out of the factory this morning to meet the prefect (regional state representative) and the workers. But the workers, who want the prefect to come here, refused,” he said.

Hachaguer said the deputy prefect would come to the plant, but official sources said that he would not do so until he was given guarantees that Foucher would be released.

Sony France announced in December the closure of the Pontonx-sur-l’Adour site, which has since 1984 specialised in manufacturing video tapes.

[link]


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